barrymost
September 4, 2019
10
This is the charming adaption of Betty Smith's acclaimed novel. It's both heartwarming and heartbreaking. The acting is riveting all the way around, and this is one of those rare times when everyone is perfectly cast. But particularly Peggy Ann Garner and James Dunn, both of whose careers, interestingly and unfortunately enough, were failing within the next decade. They act marvelously well together, as the bright young daughter and her kindly, imaginative, but tragically alcoholic father. I nearly cried a few different times during this movie, and if you have a heart, you'll probably get pretty close to tears as well.
At the turn of the 20th century, the Nolan family eek out a living in New York. Mum “Katie” (Dorothy Maguire) is trying to raise impressionable daughter “Francie” (Peggy Ann Garner) and son “Neeley” (Ted Donaldson) whilst their well meaning but dipso entertainer of a father (James Dunn) struggles to make a living then hits the bottle when he does or doesn’t find work. The there’s the lively aunt “Sissy” (Joan Blondell) who seems prone to marry men called “Bill” - even if that isn’t actually his name at all, and whom “Katie” thinks is too much of a free-thinking abad influence on her children. When a third baby looms large, the pressure starts to increase on not just the couple but on their children who are already pretty adept at finding ways to raise the odd cent or two - and the bright and curious young girl’s schooling might also have to come to an abrupt and premature conclusion. When a tragedy hits the family hard, loyalties become strained and reality starts to test even the strongest bond whilst putting other things into a clearer perspective. At times this is really quite a funny drama, building on some solid Irish working class attitudes as it emphasises the values of family and of making sure those you love actually know it! It does pitch the sometimes conflicting characteristics of mother and daughter quite entertainingly and poignantly too and a strong effort from the young Garner and a sparingly engaging one from Donaldson as her cheeky sibling deliver strongly here helping to keep the film from drifting into melodrama or sentimentality.
